His more risqué pieces, depicting voluptuous nudes and piles of entwined bodies, scandalized the Viennese establishment.Įven so, the city’s elite adored his work and frequently commissioned him to paint their portraits. Often, their messages-of pleasure, sexual liberation, and human suffering-were only thinly veiled. He embedded allusions to sexuality and the human psyche in the rich, lavishly decorated figures and patterns that populated his canvases, murals, and mosaics. Klimt, the leader of the Vienna Secession movement, was a master of symbolism. The side covering the man is decorated with erect rectangles, while the woman’s is swathed with concentric circles. He binds their bodies together in the same cloth: a shimmering gold tapestry whose pattern references both intimacy and anatomy. Most of us know Gustav Klimt as the artist who painted The Kiss, that 1907 masterpiece in which two figures melt into each other in a hungry embrace.
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